- 1-6 First Pages.pdf
- 7 Editor-s Note.pdf
- 9-16 Alshammari - A Pedagogic Approach to Shakespearean Drama in Kuwait.pdf
- 17-37 Colipca-Ciobanu - Clowns, Guns and a Writer’s Block – Romanian-American Encounters in Her Alibi (1989).pdf
- 38-45 Colodeeva - Consciousness on Stream in The Ambassadors by Henry James.pdf
- 46-67 Debita - Loci of Resistance in Ursula K. Le Guin’s The Word for World Is Forest and Voices.pdf
- 68-86 Ganea - Constructing Identity in Higher Education Prospectuses. Approach to the Rhetoric of Excellence.pdf
- 87-99 Gigashvili - Textual and Editorial Markers of the Editions of the Bible’s Georgian Translations in the Pre-Soviet, Soviet and Post-Soviet Eras.pdf
- 100-112 Gotsiridze_Gigashvili - Private Letters as Visual Evidence for Disclosure of the Totalitarian Regime.pdf
- 113-118 I. Mohor-Ivan_M. Mohor-Ivan - “… the price we pay for peace” – Luba Lukova’s Poster Art.pdf
- 119-124 Khvedelidze - Narrative Strategies of the Representation of Consciousness in the Modern Georgian Novel – Post-Soviet Experience.pdf (138602)
- 125-133 Korneliuk - The Complete Works of Shakespeare in Ukrainian – A Breakthrough or a Slowdown.pdf
- 134-142 Moskvitina - The Mock-Shakespeare by Les Podervianskyi – Overcoming Soviet Experience.pdf
- 143-156 Opreanu - Fictionalised Biography and Compensatory Adaptation in Shakespeare in Love and Becoming Jane.pdf
- 157-170 Pintilii - The Main Father-Daughter Relationship in Julia Kavanagh’s Rachel Gray Between Reality and Fictionality.pdf
- 171-181 Praisler_Gheorghiu - The Art and Politics of Rewriting. Margaret Atwood’s Historical Notes on The Handmaid’s Tale.pdf
- 182-185 Ruprecht - The Azerbaijan Carpet Museum – A Symbol of National Identity and Heritage in a Post-Soviet Era.pdf
- 186-200 Scripnic - (De)Constructing Leadership through Ritualised Discourse.pdf
- 201-208 Stan - On Book to Movie Adaptations.pdf
- 209-219 Vlad - The Rhetoric of Geopolitical Fiction in Churchill’s Iron Curtain Speech.pdf
- 220-221 Iamandi - (Review) Ioana Mohor-Ivan (ed.), Cinematic Journeys – Myths, Hero(in)es, Gothic Frames.pdf
- 222-227 Oprea - (Review) Oana-Celia Gheorghiu, British and American Representations of 9.11. Literature, Politics and the Media.pdf